Everybody’s got an opinion

(I don’t know why I find all of this so entertaining; I don’t even watch any of these shows, although I may catch a particularly entertaining monologue or interview if somebody posts it online AND sends me the link to it.)

So it should be clear by now that NBC totally effed up the way they handled the Jay Leno Show/Tonight Show thing, right? They forced Jay Leno into retirement, then placated him with a show in prime time. They promised Conan O’Brien that he could replace Jay and gave him the Tonight Show. In order to make room for Leno, they canceled Southland, which I’ve never seen but is rumored to be excellent, and moved other shows from the 10 o’clock hour to earlier, less permissive time slots. I mean, the man left New York (current temperature 31 degrees) and moved to that wasteland called Los Angeles (current temperature 63 degrees); if that’s not dedication, I don’t know what is.

Southland’s Ben McKenzie on the Jay Leno Show: I’m glad it failed.

Conan O’Brien, David Letterman, and Craig Ferguson: Various awesome car- and chin-related Leno and NBC slapdowns.

Even Hitler is upset about this:

Wow. The only person who is currently getting more thoroughly trashed in late night than Jay Leno is Carson Daly.

Update: There are even more hilarious videos from last night. Gawker.tv organized them, so I don’t have to. Also, Carson Daly is still getting worked over by absolutely everybody.

Despondent

I’m not surprised, but I’m so sad that NBC canceled Life. I actually haven’t been able to watch the finale, because then that would make it really over for me. I really enjoyed the partnership of Damian Lewis and Sarah Shahi, and wish them all the best personally and professionally.

Damn you, NBC.

If those bastards cancel Chuck, heads will roll.

MY open letter to NBC regarding Chuck

Alan Sepinwall, Star-Ledger TV critic and blogger extraordinaire has written an open letter to NBC in support of Chuck. And he wrote it before last night’s episode, which he thought was awesome enough to give a Dayenu filled review. So awesome! Anyway, thanks to Sepinwall, I was inspired to write my own letter to NBC.

Dear smart people at NBC who were open-minded enough to air this show originally:

I used to merely like this show, but over the course of this season it has become my favorite program on tv! It’s funny, smart, full of things I inevitably want to buy (Awesome could have bought ME that television), and the characters exhibit genuine growth as a direct result of their experiences. I love that Chuck has these networks of peers, friends, and family who care about him, even if they don’t necessarily understand him, and who try to help him out, even if their idea of help doesn’t actually aid Chuck. I recommend this program to any friend of mine who is looking for a new program, and have successfully hooked at least 5 people that I know of this season. I could probably get more if Chuck wasn’t in such a competitive time slot. I know many people who would never dare cheat on Dr. House, Blair Waldorf, or Neil Patrick Harris, but would consider watching Chuck consistently if it was on at a different time. If Chuck was canceled, I would be more devastated than I was when Dead Like Me, Veronica Mars, and Joan of Arcadia were canceled. Combined.

Please don’t let Chuck be an addition to my “Gone too soon” dvd collection of shows that were taken off the air after their second or third season, before the writers had told all the stories they had to tell. This show gets better every episode and has a loyal fandom, bringing together sci-fi nerds, ‘shippers, young men, tech heads, espionage fans, and people who just plain like great programming. You’ve basically won demographic bingo here!

Please don’t break my heart,
Nicole

Chuck vs the Predator

Oh my goodness! Chuck has been getting so good lately, and really this whole season has been pretty amazing. I love how Chuck is being seen as a grown-up, as opposed to a screw-up who creates more problems than he solves. On the one hand, I’m sad that Chuck is being forced into these situations that are causing him to harden and turn into the spy he never wanted to be. On the other hand, I recognize that he is a smart, capable person who is given way too little credit and is definitely equal to the tasks before him.

I’m so so so excited to see the rest of this season, and hope that Tricia Helfer’s stint on Chuck will be less useless than her appearances in the first 8 episodes of Burn Notice’s second season (haven’t finished it yet, maybe there’s a reason for her to exist).

I appreciate that the General didn’t lie to Chuck; she absolutely does not want him to stop being the Intersect, and actually wants to pull him further into the spy lifestyle. I think that Sarah’s confusion over her duty to her mission and her feelings for Chuck was well-played, and that the story wouldn’t have been very believable if she’d taken a firm stand either way. And Casey totally came through. I knew that he was more of a softie than he admitted (the man keeps a photo of Reagan [which the General promptly mocked], for cripes sakes), but I’m glad that when he had the opportunity to expose the depths of Sarah and Chuck’s feelings for one another, he basically played dumb.

As always, Adam Baldwin totally rocked my world, although I must say that Zachary Levi has grown on me quite a lot in the last little bit of time. I guess I’m still fundamentally the same 16 year old who swooned over David Boreanaz’s Angel, because damn it all if this new, tortured Chuck isn’t the hottest freaking thing ever.

Two peas in a peacock-shaped pod

This is not the first time that I mentioned Chuck and Life in the same post. On the surface, though, Chuck Bartowski and Charlie Crews couldn’t be more different. Chuck is a 20-something wasting his life at a Geek Squad/Best Buy clone (I can’t believe that BB didn’t think of the name Nerd Herd first) and providing the US government with information that has been encoded into his brain. Charlie is a Los Angeles Police Department detective who was imprisoned for 12 years after being unjustly convicted of the murder of a friend, a fellow police officer, and that man’s wife and son. So how are these two men similar?

• They’re both on NBC, and the future of both shows are unclear. Chuck probably is in a less precarious position, but could still conceivably be ended after this season.
• They’re both named Charles. The fact that they both go by comparatively juvenile nicknames is not an accident.
• Both men had their lives derailed by false accusations; Chuck was kicked out of Stanford for cheating and Charlie spent a long long time in prison.
• They’re (mostly) kept in check by women who are better at focusing on the big picture and playing straightmen (as it were) the the guys’ sometimes excessively youthful behavior.
• Their lives are being manipulated by governmental forces that they don’t understand and can’t really control.
• They’re both in love with women who, for whatever reason, they cannot be with. Chuck’s in love with Sarah, his FBI handler, and Charlie is in love with his ex-wife, who divorced him while he was in prison. Awkward.
• They both accidentally shot people in the leg this year. Chuck shot the guy who made the Intersect that’s in his head (…maybe), and Charlie shot his dad. Well, the dad did refuse to identify himself when Charlie called out in the dark. Bygones?
• They both keep awesomely detailed charts of the players in their particular dramas. Chuck keeps his on the back of his Tron poster (loved that detail), and Charlie has a “secret” room in his house where he keeps his. That room has been broken into so many times at this point that I wish Charlie would use the walls to keep his grocery list or something.

Of course, the two men aren’t twins or anything. Charlie has a distant father and a dead mother, whereas Chuck as a sweet, well-meaning, but ultimately clueless older sister who loves him. Charlie’s friends all turned their backs on him when he was convicted of murder, while Chuck’s friends all stuck by him after his expulsion. Charlie’s stint as a guest of the state netted him millions of dollars, while Chuck is super poor and still lives with his sister and her awesome fiance. Chuck is a total baby about pain and Charlie got shot a while back. Charlie can hardly figure out how to use his cell phone, and Chuck is pretty much a tech genius. Lastly, the music on Life is out of this world good, and Chuck’s scoring is okay, but nowhere near as brilliant.

The other thing that these two shows have in common is how much I love them. These are the only two shows that I came into the season liking that I actually like better now. I really hope that both of them are renewed for season three, because I feel like they’re really starting to hit their strides.

I’m bummed that I won’t see Chuck again for two more weeks, but the previews look really exciting and I cannot wait!

NBC is rocking my world right now

AAH! This week’s Chuck and Life were so excellent, I almost cannot even stand it. I’ve loved Life all along, and so I was surprised when I recently realized that I may actually prefer Chuck to it right now. Of course, that’s like saying I can’t decide between filet mignon and broiled lobster, and really, the one that I choose at any given moment has more to do with my mood than with the object’s innate awesomeness.

I’m really happy that NBC is giving these fine shows a chance, and hopes that it will continue to do so. How good have these programs been lately? TOO GOOD. They have great drama, interesting situations, humor, and not a little moral ambiguity. They don’t tell the audience what to feel, and seem to think that we’ll be smart enough on our own to come to our own decisions (Do you hear that, Heroes??), which I greatly appreciate. I think that maybe in terms of acting chops, Damian Lewis and Yvonne Strahovsky have an advantage over their counterparts (Zachary Levi and Sarah Shahi), but again, when things are this good, quantification isn’t necessary.

I’m just worried about how I am going to be expected to last until freaking February. These shows are really really really really good, and I am going to miss them so much.

Some good news!

I was worried about Life’s prospects when I heard that NBC had canceled My Own Worst Enemy and Lipstick Jungle, but apparently I wasn’t paying enough attention to the news coming down the wire. Before axing those two shows, NBC had already given Life a full-season order. Awesom! Let’s hope the show can do well enough in its timeslot to come back for a third season! I love Damian Lewis and Sarah Shahi to bits, and want their show to succeed!

I’m enjoying a lot of things this season, but many of the things I don’t like all fall into one category: romance. I don’t know if this show just doesn’t need it at all, or if I just think all its attempts up until now have been pretty unconvincing. I don’t believe that Charlie should have anything to do with Jennifer, his ex-wife. At the very least, she is just one more person who wasn’t there for him when he needed her. Also, I kind of suspect her of being evil and somehow related to what happened to Charlie (although she did warn him when that teacher posed as a reporter and asked her questions about Charlie). Anyhow, just going on what we know up until this point, I do not think it’s realistic to believe that Charlie’s remarried ex-wife has his best interest at heart, or that anything between the two of them is going to end well.

Also, I think that Reese should stay 100 feet away from Tidwell at all times. 1) The man looks like he does not bathe (Dear Donal Logue: please make your character less vile); 2) He is her boss and that cannot be a good idea; 3) He is ridiculous (the tics, the rudeness, the stunning callousness); 4) Sarah Shahi is as hot as the fire of a thousand suns, and should be with a similarly awesome guy (what’s Bradley Cooper doing these days? A little Alias reunion would be sweet).

Finally, what the hell is going on with Ted and Olivia, Charlie’s dad’s fiancée? I will admit that Christina Hendricks and her impressive bosom are pretty sweet, but what is this storyline all about? We know nothing about Charlie’s dad, and haven’t even met him yet, but we’ve seen said missing father’s intended how many times now? Okay, so Charlie is avoiding her. But wouldn’t that make her even less likely to come around? You can’t change the mind of somebody you can’t pin down. But then what’s the story with Ted? I guess a romance between these two is not entirely implausible, seeing as she obviously has a thing for old dudes, but because I don’t understand Olivia, the whole thing seems suspect. I guess I can understand why Ted just come out with, “Hey Charlie, I kissed your dad’s fiancée during that earthquake,” but why would he have neglected to mention her presence at all? And lied about how the pencil got out of his hand. Was Ted always this bad at lying? Maybe that’s why he ended up in prison. Plus, even if I did finally understand and maybe support a Ted-Olivia, Christina Hendricks is kicking ass and taking names over at Mad Men, and how often could we really expect her to show up on Life?

The one where everybody cries

So Project Runway may not be leaving Bravo for Lifetime. Hallelujah! I don’t want my fashion tainted by association with women in danger and endless Tori Spelling movies.

The four remaining designers were really stressed out this week, in their final runway show before New York Fashion Week. Their challenge was to create an evening gown, and everybody felt the pressure. There were tears and mini breakdowns and bleary eyes and glasses instead of contact lenses, and it was pretty much awesome. All of anti-Kenley hostility that has been simmering for the last several weeks kind of exploded tonight. Leanne, Korto, and former Mean Girl Jerell all made very little attempt to hide their contempt for Kenley. As usual, it was pretty impossible for me to feel bad for her, since she caused a lot of this with her poor attitude and misplaced sense of superiority.

The other designers and the judges all made mention of her attitude, and she basically acted as though the lot of them were making it up. Top American Designer* Michael Kors had it right – how well is Kenley going to in an industry where one’s creative vision may not be appreciated or shared by those on whom one depends for one’s livelihood? Not everybody is going to agree that Kenley is a genius, and she should probably be prepared to think about criticism and evaluate its relevance before dismissing it completely. I like how the guest judge this week, Georgina *married to one half of the bazillionaire duo who produces this show* Chapman was like, “I do not see what I thought I would,” about Kenley. There were no floral prints or 50’s shapes, but the defensiveness was there and Mrs. Bazillionaire still seemed singularly unimpressed.

So what did I think about the way the judges chose to end this challenge? I thought it was pretty darn awesome. Why? Because it’s tv! Drama is always appreciated, as long as it’s is somehow justifiable and not just for the sake of being dramatic. Kenley and Korto have made enough great things on this show that it makes sense that neither of them would be easy to send home. I think that I have been inspired by Heidi Klum, Nina Garcia, and Top American Designer Michael Kors, who have been on the receiving end of several of Kenley’s eye rolls, sighs, and ridiculous responses, and still thought that she deserved a chance to compete for a spot at Fashion Week. I also like that nobody gets to rest on his or her laurels. It would have been easy to do what they did last year and only have two people compete for the final spot, but this adds intrigue and an extra bit of motivation that Jerell and Leanne might otherwise be without.

I always like to see what the designers can come up with when they have much more money, time, and sleep to bring their vision to life. I can’t wait for next week, because it’s always fun to see how time away from each other and watching the episodes at home influences how the designers interact when they reunite for the clip show.

The designers:

I really am impressed with how un-ridiculous Jerell’s stuff is of late. Sure, his dress tonight did need a bit of work, but compared to what he was cranking out the first few weeks of this season, his improvement is nothing short of inspiring. Like Kenley, Jerell has been known to talk smack and offer a mean running commentary about others’ work. Unlike Kenley, Jerell’s work mostly backs up that talk.

There’s a special place in my heart for Leanne, who managed to fight her way out of thin, brunette anonymity to become recognizable not only by her face but also by her interesting designs. She’s another one whose first few weeks of work definitely didn’t seem promising, but I’m glad that she’s stuck around. Her designers are infinitely wearable and show a lot of thought and work. Plus, she seems to dislike Kenley quite a bit, which only makes me love her more.

Nobody needs to be told that I am rooting for Korto, right? I love her sense of color and style, and would happily wear whatever she chose to put me in. She’s funny, but knows how to shut a person up when that is called for. I think it’s telling that Kenley hates Korto’s stuff, since the things that Korto makes often seem like they did actually originate in the twenty-first century.

Last, both in my affections and this wrap-up, is Kenley. The girl’s got talent; I’m not going to lie. And I’ve got the shape to rock a 50’s style frock, so I really do appreciate her designs. My main problem with her, aside from the fact that she only ever produces some slight variation on one pattern, is that she has the worst attitude of any Project Runway contestant ever. EVER! And this is the show that gave us Wendy Pepper and Santino Rice. I’ve never seen anybody so unwilling to accept criticism and responsibility for her own choices. Self-confidence is great. It’s necessary, and it’s how you advance yourself through life, but too much is just as damaging as too little. Why can’t she just think about what people say to her, instead of mouthing off? If I mute her while I’m waching the show, I am usually much more inclined to like what she’s done.

* I love this designation and will never again say this man’s name without using what is not doubt a contractually-obligated phrase.