Posts tagged: Television

The dangers of tv knitting

All in all, not bad for something I started after work on Tuesday

For the past few weeks, I’ve been watching Eureka as I knit. I tend to watch comedies (or really mindless dramas) when I’m knitting, because they require less attention on my part. I started a new hat today, and I’m feeling a wee bit victorious, since it’s stranded knitting, a style that I haven’t done before. I was finding it surprisingly easy, and really enjoying how fast this hat was going. I said was, because I ran out of Eureka episodes to watch, and switched to Damages. I spent the first half of the first episode watching intently and knitting on autopilot, and now have been unraveling my work for the next hour. Note to self: serious drama and Fair Isle knitting do not mix.

I read the season arcs/spoilers on the wiki, because I suspected that this show was too mean for me. I’m pretty sure it is. Ever character on that show is vile, and I don’t care enough about them to overlook it. I did see that the 5 most recent episodes of Eureka are available on Hulu, so I will catch up and then watch the remaining episodes there.

I feel like this is my fault

I knit (I may have mentioned this before), and I like to watch tv shows when I do. I prefer shows that have been on for several seasons, so I can just plow through the episodes, without having to wait a week for the next installment. Right now I’m watching Eureka, which I’d never heard of before another knitter told me about it last week. It’s a quirky little show whose low budget mostly-Canadian appeal warms my heart. I had been watching Psych while I knit, but it got too stupid for me to enjoy.

Although I do own far too many tv shows on dvd, I primarily watch my knitting-montony-relieving shows through Netflix’s streaming option. I currently have the 2-disc-a-month plan, and I always mean to watch the dvds that I order, but it almost never happens. On Saturday I went to the Netflix web site to see if I could switch to a streaming-only plan. To my surprise, they didn’t have any such thing! It seemed like offering the option just to stream content would be a no-brainer, but maybe the Netflix people had too much in the way of brains, because that wasn’t the case. Anyway, I switched to the 1-disc-a-month plan.

Imagine my surprise then when I saw in the newspaper today that, beginning December, Netflix will offer a streaming-only plan (that article said January, but the email that Netflix sent me said December). Yay! So I switched again. When I do want dvds, I can easily get them from the library, and even if they’re rentals, that cost plus the cost of my streaming Netflix subscription won’t equal what I paid for 2-discs-at-a-time (not that that was terribly expensive, either). Netflix is also raising the cost of all of its disc plans by a dollar. That’s not a ton, but I’m sure it hurts a bit. I know that to have all of this in place, the final decision about this had to have been made long before Saturday, but since I had just looked into this, I feel the tiniest bit responsible.

So, dear internet, I apologize for the increase in cost of your Netflix subscription. Unless, of course, you’ve moved to Streamland like me, in which case I welcome you to my broadband-dependent country.

It’s funny cause it’s true

I don’t actually watch Lost anymore, because I couldn’t keep up with what was happening (and neither could the writers), but I remember enough of the show to find this funny.

Everybody’s got an opinion

(I don’t know why I find all of this so entertaining; I don’t even watch any of these shows, although I may catch a particularly entertaining monologue or interview if somebody posts it online AND sends me the link to it.)

So it should be clear by now that NBC totally effed up the way they handled the Jay Leno Show/Tonight Show thing, right? They forced Jay Leno into retirement, then placated him with a show in prime time. They promised Conan O’Brien that he could replace Jay and gave him the Tonight Show. In order to make room for Leno, they canceled Southland, which I’ve never seen but is rumored to be excellent, and moved other shows from the 10 o’clock hour to earlier, less permissive time slots. I mean, the man left New York (current temperature 31 degrees) and moved to that wasteland called Los Angeles (current temperature 63 degrees); if that’s not dedication, I don’t know what is.

Southland’s Ben McKenzie on the Jay Leno Show: I’m glad it failed.

Conan O’Brien, David Letterman, and Craig Ferguson: Various awesome car- and chin-related Leno and NBC slapdowns.

Even Hitler is upset about this:

Wow. The only person who is currently getting more thoroughly trashed in late night than Jay Leno is Carson Daly.

Update: There are even more hilarious videos from last night. Gawker.tv organized them, so I don’t have to. Also, Carson Daly is still getting worked over by absolutely everybody.

You could knock me over with a feather

Holy crap, y’all! Tim Gunn was Irina’s teacher when she was at Parsons!!! How did I not know this? I know that I haven’t paid a TON of attention to the (later) episodes of this season, but I’m fairly certain that this wasn’t mentioned. I have to say that he did a good job of never looking like he was favoring her, nor of treating her any more severely than the other contestants. I also love that Tim had absolutely no problem naming names regarding contestants who he did find obnoxious: Cat-throwing Kenley, Victoria, and Vincent. I still don’t find this season to be as compelling as previous ones, but I am interested to see who wins this Thursday. The smart money is on Irina or Althea, but I hope that Carol Hannah wins. She’s nice, not insane, and would have adorably spacey babies with Logan.

You’re out!

I tried. Really, I did. I wanted to love this season of Project Runway, because I’d loved the previous 5, but it just wasn’t happening for me. My tivo didn’t record episode 7, and I took it as some sort of sign. Ever since, I’ve paid little to no attention to the show. I’m going to start watching it again, because I need something to occupy my mind while I’m knitting, but I definitely don’t care enough to do write-ups on the episodes. Sorry, PR! You just don’t have what it takes this time around.

Ugh

I have too much tv to watch. I’ve gotten used to watching only two or three shows regularly, and now there are a bunch of new programs that I like enough to keep up with (Castle, FlashForward, Trauma, The Good Wife, etc) I’m finding the time drain a little hard to get used to. I am not used to watching this much tv, dammit! It’s messing with my reading/knitting/vegging time. I’m pretty sure that I’ve thrown over Gossip Girl, though, so at least I freed up a little time.

The Sky is the Limit

Every week, I watch Project Runway later and later. It used to be that on Thursdays, when it aired, I would give my Tivo a twenty minute head start and then start to watch. Then I began to watch on Fridays. Then it was Saturday, then Sunday. It’s now Monday, and I’m just now getting around to watching last week’s episode. Let’s face it: this season is not exciting. I’m not looking for manufactured drama, but these people are seriously killing my will to watch this show. I am so bored, that I am not even going to stop knitting while watching. So there, Project Runway!!!! This is going to be exactly like all of my other musings about Project Runway, except five hundred words shorter.

Observations: the guys are dropping like flies. Usually the women get picked off early and often, but that pattern hasn’t held up this season.

This week’s challenge, according to Heidi, is colorful. The designers meet Tim Gunn and Martine, some Macy’s shill, in the workroom, and are told that they’ll be working with the color blue. This is a one-day, team challenge. The winner gets to design a holiday dress that will be sold at Macy’s (but each team is presenting two designs, neither of which is said holiday dress). Also, teams??? What did I say before about manufactured drama? Anyway, each of the remaining 10 designers will sketch something, and Martine the Macy’s lady will choose the designers of her five favorites.

The  team leaders are Irina, Althea (a two-time team leader, and probably the only person in the history of this program who has ever enjoyed team challenges), Carol Hannah, Christopher, and Louise. Althea gets to pick her partner first, and she chooses Logan. I wonder how Carol Hannah feels about that. Christopher chooses Epperson, Louise chooses Nicolas (who has immunity), Irina lets the remaining two people choose who wants to work with her, and Gordana says she will first, so Carol Hannah and Shirin end up being a team. Shirin had such promise in the beginning, and seems to have faded; also, her maniacal chatter, which was highlighted in the last episode, can not have endeared her to the others.

The teams have 20 minutes and $100 to spend at Mood, and because of how huge it would be to have a dress at Macy’s, the winner will not get immunity. I loves those kinds of challenges! Nobody gets to coast next week. Haha! Louise almost loses the money while at Mood. She says that she loses her head when she’s in the thick of a challenge.

I can’t decide what is more entertaining: the teams that start to implode almost immediately (Louise and Nicolas, who starts talking smack about her soon after returning to the workroom), or those that experience slow meltdowns (Irina and Gordana). Notes: Nicolas really really really hates ruffles. Irina is such a good underminer. Do the other contestants know how evil she is? I can’t tell. Christopher feels that he and Epperson are the team to beat.

I love Gordana, but I kind of want to see somebody “as they say, throw [her] on the bus.” If only she knew how supportive that action would be.

Heidi greets the designers on the runway, looking as though she popped in on her way to bed. There’s nothing right about her outfit. I think her jeans are acid washed, but I want to keep respecting her, so I’m not going to look too closely. Sometimes I think the wardrobe people on this show are just messing with the contestants like, “See? When you’ve been in this industry for a while, you can make celebrities wear anything, no matter how awful.” If you think about it hard enough, it’s kind of inspiring.

The judges are Top American Designer, Michael Kors, who I’ve missed; Zanna Roberts, the adorable senior fashion editor of Marie Claire; and Martine. One of the designers will be named the winner, and one or more them will be out. Interesting. Evil Irina’s dress is lovely, but Gordana’s look is not as interesting to me. Althea and Logan’s first model comes out looking kind of h0-ish, especially because the slit at the back keeps growing as she walks along the runway. Awkward. The second look is okay, but nothing special. Louise’s looks are not remarkable, but Nicolas hates them. Carol Hannah’s two looks are super, although, like Tim Gunn, the less I say about leggings, the better. Christopher and Epperson’s shirt dress is okay, but their second look is slightly old-maidish. When the scores are tallied, Althea and Logan are told that their scores are high enough to send them into the next round. Really? I can’t believe that the traveling slit wasn’t even mentioned. How’d Kors let that one go without even a comment? Maybe he’s taken up meditation in all the spare time he has from not appearing in any previous episodes of this show this season. Heidi tells Louise and Nicolas and Christopher and Epperson that their two teams have the lowest scores. I am a horrible person for finding the latter twosome’s expressions of disbelief so hilarious.

The teams with the highest scores get to hang out onstage while the losers slink away. Shirin and Carol Hannah are all sweetness and light, and the judges love their looks’ necklines. Evil Irina and Gordana’s looks get raves, but Heidi, smelling blood, asks them how it was to work together. Gordana tries to be diplomatic, but The Evil One says that Gordana’s shyness was a bit obnoxious, and she could have taken a more active role.

Then the other two teams come back out on the runway. The Heidi keeps saying “one, or more of you, will be out,” makes me hope that she takes somebody from each team. If that’s the case, we can say goodbye right now to Louise and Epperson. Later, kids! Much like Nicolas, the judges are not enamored of Louise’s ruffles. I wonder if he would have tried harder to change her mind or insert more of himself in their outfits if he didn’t have immunity this week. Heidi is baffled by the neckline of Christopher and Epperson’s shirt, and talking about that for approximately five seconds makes Christopher cry. The judges are also not sure why anybody would make a shiny shirt dress. Cosigned. Christopher sobs some more. Awww. This is actually a little heartbreaking.

Irina is named the winner. Evil has triumphed once again. Completely surprising me, Epperson is the first of the bottom-dwellers to be retained. Seriously? That guy has like nine lives or something. Also, he should never again work with anybody, ever, on anything. For real. I am suddenly afraid for Christopher, because it’s just him and Louise left onstage. Heidi says that Louise’s looks resemble “bad, overworked bridesmaids dresses.” Ouch. And yes. She tells Christopher that the only thing his items have in common is how clueless they are. Damn, Heidi. I would hate to hear this woman discipline her children. Christopher starts to cry again when he’s told that he’s in. I’m happy that he lives to design another day. That means, of course, that Louise is out. Like Shirin, who seems to have found some of her focus again this episode (or maybe just borrowed some from Carol Hannah), Louise started off excellently and degenerated noticeably throughout the competition. The Tivo cut off before the previews came, and I’m too lazy too google, so we shall find out next week’s challege…next week.

Until then.

Lights, Camera, Sew!

It took me a few days to get to this week’s Project Runway. Apologies!

This episode starts of with some of the male contestants talking, both amongst themselves and individually in the interview room. Ra’mon observes that the apartment is quieter with both Malvin and Johnny gone, and interviews that he feels that things are more competitive now that Johnny is has been sent packing. This is undoubtedly true. Johnny was dead weight. Then Nicolas speaks that reality tv show cliche about not being on Project Runway to make friends. No. Duh. I can’t even imagine how needy a designer would have to be to want to leave the competition not with an impeccable reputation or $100,000 to start an eponymous fashion line, but with a new BFF or two. Probably the only contestant to ever have had this goal is Elisa.

Poor, awesome Gordana has had her confidence shaken by being in the bottom three last week. I hope she ends up bouncing back in a big way. This week’s challenge involves designing for film. The designers get to take a field trip to a sound stage, where they find Tim Gunn and Collier Strong (L’oreal makeup dude). Tim tells them that they are going to be selecting a genre of film, creating a character in that genre, and making a costume for her. Yikes. The potential for disaster already has me sitting up straighter. The genres from which they get to choose are action/adventure, film noir, science fiction, period piece, and Western. The obvious American slant to this challenge worries Gordana.

Irina, having won last week, gets to choose first. She selects film noir. The remaining categories are chosen by the other designers, with each category having two entrants, and order being determined by Tim picking names out of his trusty black velvet bag. At the end of it Louise (of course) and Althea also choose film noir; Ra’Mon and Nicolas pick science fiction; Christopher and Gordana are designing for period pieces; the two action/adventure designers are Logan and Carol Hannah; nobody chooses Westerns, but there are two designers left, so Shirin and Epperson end up with that genre. They do not find this to be awesome.

At each workspace is a dossier that outlines the particulars of the designer’s selected (or assigned) genre. Lifetime stopped being so freaking cheap on this one, so the budget is $150. They must be big fans of the axiom “time is money,” though, because deadline is midnight. You can’t have everything, I guess. The designers are all ready to plotz. While sketching, Shirin and Epperson seem to be completely lost, although both are reaching for something that is both Western in aesthetic and not horrible.

Cutie pie Logan says that Carol Hannah is the only female designer with whom he has really connected. He likes to talk to her and the camera shows them palling around. CH is less than stoked by the fact that Logan’s table is right next to hers, because he’s hot, and hotness is totally distracting. I hear you, CH. Ra’Mon is worrying me with his excitement over this challenge. It always seems that the people who are happiest with the assignment and are the most certain that things are going to go well are the ones who end up in the bottom three. I have no idea how this episode ends, but am preemptively concerned for Ra’Mon.

The designers go to Mood, where they have 30 minutes to spend their money. A lot of them are looking at fabric that ends up being too expensive for them. I feel like we haven’t seen a lot of that, but maybe it’s just because my eyes sometimes glaze over during Mood scenes.

Louise seems convinced that somebody has taken her bobbin, while Gordana is looking for a pair of pink scissors. Both ask if anybody knows about the items that are missing, but nobody really answers either one of them. Nicolas explains the story behind his character. It is bizarre and incomprehensible. I am falling back in love with him. Ra’Mon, on the other hand, uses the words “jumpsuit” and “human-alien hybrid” in the same sentence. There is no way to avoid being concerned. With nothing more than that description to go on, I am placing Ra’Mon in the bottom two.

Louise again asks if anybody has seen or taken her bobbin. I think this is the third time. Is sabotage happening? If it is, nobody has owned up to it. Nicolas finds it worrisome that Louise has not developed a specific character to dress in her design. More workroom. Gordana is sewing some beaded thingamabob that I thought was a multi-legged animal the first time I saw it on the screen.

Tim comes to check in on everybody. He does not seem convinced by Gordana’s dress. Irina takes a moment to doubt whether Gordana belongs with the rest of them in the competition. If this goes like the last time, I guess that would mean that Gordana is going to win this challenge. Tim likes Christopher’s bustle, but says that the lack of long sleeves is all wrong for the period. Tim seems to like Epperson’s look, which makes me happy. He tells Ra’Mon that his outfit could be sublime, or it could be “a big hot mess.” We all know which camp I’m guessing this ends up in.

Tim next goes to Louise’s station. She explains her look, which sounds as lovely as her previous work, but he just lays it out there for her: her subtle details are lost on the runway, and don’t come across as well as more dramatic touches. Nicolas is designing for a villain, who he is putting in white. Tim finds this interesting, but thinks that overall outfit is too safe. Before he leaves the workroom, Tim encourages everybody to look around as determine where they stand, based on the looks that everybody else is designing. He might as well have added “RA’MON!!!” at the end of that, because you know that’s who he was talking to.

The models come in for fittings and makeup consultations. I don’t feel that I see a huge difference in the quality of the makeup when there is a separate consultation and when they just work it out on the day of the runway show. Ra’Mon puts his model in the jumpsuit and comes to the same conclusion that any sane person would have arrived at upon merely hearing about his idea: he is in big big trouble. He thinks his jumpsuit is looking a little Kermit the Frog, and that it won’t work. He has two hours to go before the end of the day. Big deal, right? He made a whole outfit in like 35 minutes that one time. Whatever you do, Ra’Mon, don’t pull a Johnny. Say no to the crossword.

Last minute running around. People are freaking out about the amped up competition, and Louise stabs herself in the finger nail with the sewing machine. Ick! The next day dawns, and a lot of people have a significant amount of work to do. Everybody’s in a tizzy, and then it’s off to the runway!

Heidi comes out looking all lovely and sparkly. The judges this week are American designer John Varvatos, Oscar-winning costume designer Arianne Phillips, and Zoe Glassner, who by this point is practically a series regular. Harrumph. Bring back Jen Rade, already. There is not enough bitchery in my life. Irina’s beautiful dress comes out first. It looks way better on the model than it did on the dress form. Carol Hannah’s action/adventure outfit is sexy and fun. Shirin’s saloon-girl look is cute, but I don’t love it. Christopher’s period piece is pretty, and looks like haute couture. He didn’t add sleeves, and I wonder if the judges will give him crap for that. Nicolas’s white sci-fi look is beautiful. Althea’s dress is just gorgeous, but there seems to be entirely too much cleavage to be a believable film noir look.

Ra’Mon’s dress looks like who did it and ran (TM my Very Southern Mother), but the costume designer smiles as it goes down the runway, so maybe he has a shot at coming back next week. Louise’s dress is cute, but it’s Epperson’s beautifully ruffled Western dress that steals the show. Gordana’s model rocks her 20s-era dress well. Logan’s black leather outfit ends up looking to me like a retread of Carol Hannah’s.

The judges are not in love with Gordana’s dress. Again, they do not fault her technique, but think the overall look is lacking. The designers love Nicolas’s dress, and compliment him on clearly conveying exactly what he intended to. Not so lucky is Louise, whose dress is called confused and not great. Poor Louise. Her previously excellent work didn’t get noticed, and now this gets her put in the bottom three. She sort of alludes to that when she thanks them (nicely, I think) for finally noticing her at all, and taking the time to provide her with feedback. The judges love love love Christopher’s dress. Ra’Mon’s mess is next. I have to pause here, because I know this is going to break my heart a little. He was so into this challenge and threw himself headlong into it, so seeing how he’s failed makes me sad. I know it’s the nature of this show, but still. They like his story, but not the execution. Between the three people in the bottom, I do not see how Ra’Mon could possibly avoid going home; nobody else bombed this week. The judges love Epperson’s design.

So I think that Epperson is going to win (long shot: Nicolas), and Ra’Mon is going to lose (no long shot, he’s definitely going home).

So Nicolas does win. Good for him. He has immunity for the next challenge. The amazing thing is that, if you look closely, you can actually see his ego grow as he preens in his interview. Fascinating. To the surprise of absolutely nobody, poor Ra’Mon is out. Sad face here! Louise sobs as she leaves the runway.  Everybody is much sadder this week and all manage not to slag off Ra’Mon while he’s cleaning his workspace.

Yay! I almost never watch previews, but I just saw that Michael Kors is going to be on next week’s episode. Yay!

Fashion Headlines

Week 5 of Project Runway opens in the apartment that Qristyl left. The remaining residents mention how it’s now quieter. I am not surprised about that. Then, in another apartment, Johnny starts to emote about being in the bottom three last week. He never wants to be there again!! Really? Why ever not, Johnny? I guess that stating the completely obvious is part and parcel of reality television, and it gives me something to laugh at, but jeez, people. Anyway, then Althea says that she doesn’t want the judges to think that her win was a fluke. I’ve liked pretty much everything she’s done so far and she hasn’t been in danger before, so I think that if she can going in the same direction and avoid allowing the stress to get to her, she’ll be okay.

Irina is a total bitch. Last week she said that Althea’s design looked like crap, and then Althea won. Handily. So it looks like Irina’s comments were based less in reality and more in jealousy. Hey, that’s cool with me. We haven’t had a genuinely bitchy female contestant since Wendy Pepper (Kenley was more petulant than evil). So when does everybody else find out about Irina? Because I think they don’t know yet. Her evilness, combined with the generally beautiful clothes that she makes, might carry her a long way in this competition.

And then Nicholas says that Johnny and Irina don’t belong, and that, really, nobody else does, because he’s obviously going to win. Nicholas, who I passed on the street on Wednesday! Shut up, it was exciting. I am going to mention this at least once more. On the Runway, Heidi once again comes out looking a million times better than any of the models will this entire episode. For them, being around her must induce one part inspiration and two parts despair. Okay, so the designers are going on another field trip and Heidi says that the answers will be in black and white. Answers? What was the question? I don’t know why they’re always so excited about this. These things never end well. Anyway, the black and white clue, combined with the episode title “Fashion Headlines,” makes me worry about whether the designers will have to talk to and then design for journalists. And then they end up at the LA Times. Oh my goodness. They are so puzzled. They are introduced to the paper’s fashion editor, and their eyes glaze over a bit until they’re told that they’re going to be working with actual newspaper. Then they are all like, “AAAAAHHHH”! I love it!

They’re allowed to take all the paper they can carry. Some of these designers are not big people, so that could be a problem, but Evil Irina wonders why everybody else is taking so much paper: “They’re dressing a human, not an elephant,” so maybe that’s not the biggest deal. The designers can use paint and glue, and they can have a muslin base to their garment, although it can’t show. Then Tim Gunn gives everybody a bit of education about paper clothing. I love Tim Gunn. He’s such a teacher.

One by one, the designers are freaking out about different aspects of the challenge: Althea doesn’t know how paper drapes; Carol Hannah has to dye the sheets first so they’ll dry, but she doesn’t like the color she’s getting; Nicholas is like, “huh, paper?” and fears he’ll end up going home. Irina’s idea is to make the paper look like fabric. This is either a great idea or a horrible one. Shirin’s dress is pretty cute; she’s using shellac to do the bodice and is talking a mile a minute. There are reaction shots showing the other designers’ faces when she talks. Logan says that he’s never met a small woman who made so much noise. I think Shirin must be one of those people who you either find adorable or annoying. I think she’s cute, but I’ve also never tried to work with her blathering behind me. Nicholas, who is the same age as Shirin, says that she makes him feel so old, and is complete baffled by her babbling.

Johnny loves his dress, which is going to be like large scale origami and painted red, and Nicholas hates it: “This is just some wrinkled paper with pig’s blood all over it.” Oh yeah, he went there with a Carrie reference. I don’t know why, but Nicholas is totally growing on me. He’s just so over everybody on this show and unlike some people (IRINA), his comments don’t seem rooted in envy.

Ra’Mon is excited by being able to use paper. Louise (love her!), is making a headline dress. She might be the only person who is not seeking to transform the newspaper into something else. Tim visits the room, starting with Gordana. She was going to do two items, a boring dress with something about change written on it, and then a stunning piece with dyed newspaper folded into cool shapes and shaped like a fabric dress. Tim loves this one, because there’s no fabric foundation, and tells her to ditch the other one entirely. “What a great way to start!”

Althea says the words “shoulder pads” and I get really worried. I think that Tim is disappointed, too, because he reminds her that she has immunity, and therefore can do whatever she wants. He confirms this by saying that he’s disappointed and that she should look at the paper upside down, to see abstract shapes and not so much just newsprint. Then it’s over to Irina’s workstation. She has made a dress, but doesn’t like the way it hangs. She considers doing a coat with a muslin backing, and Tim reminds her of the paper raincoat of 1968 (remember that old thing?), which was not backed by muslin.

Then Tim strolls over to Johnny, and has to break it to him: that dress is not awesome. It is not classy, it will not will be anything but a one-way ticket home. But Johnny’s sensitive and such, so Tim just encapsulates all that by saying it looks like a craft project, or that a bunch of kindergartners did it. Tim Gunn is saying that I, or perhaps Satanski, could make this dress. If you knew my nephew, or about my attempts at any craft not called knitting, you’d understand how much of an insult this really is. Johnny tries to explain that it’s like the birds at the top are holding up the dress, and Tim says it looks more like the birds attacked the dress. The other designers laugh, because this is true, and also because they hate Johnny. Johnny, you must know that when Tim has said that it looks like a gang of small children could have made your garment, no amount of explaining is going to get him to like it. Then Johnny interviews that his reaction was “Ouch” and he’ll be starting something else, with 4.5 hours to go before the end of the day.

Nicholas and Tim have a boring conversation about Nicholas’s work, but the word “craft” does not come up in their brief discussion, so I think that we can all agree that that went better than the confab with Johnny. Then it’s Christopher’s turn. He says that he wants a showstopper, and Tim seems really impressed by the idea. So much so that Tim cuts short the discussion so that Christopher can continue work on his dress. I know that Tim must have met with all of the other designers, too, but those meeting aren’t shown. I guess we know who won’t be in the top and bottom of the pack.

Johnny starts over again and lays out the squares he’ll need for his new design. Irina says that she was inspired by Tim, and will  construct a coat entirely out of paper (without muslin) now that she knows it can be done. Nicholas’s says that his dress is inspired by the 90s’ punk rock club scene. Althea’s dress looks really pretty. Johnny is no longer sure what he’s doing, which is probably the smartest thing he’s said all series. The model come in and are in love with the idea of garments made out of newspaper; they all seem blown away by what the designers have done. Shirin’s dress is heavy, and will also be strapless. The potential for disaster is intriguing.

Oh my goodness, will they please kick Johnny off the show? By now, it’s clear that pathetic is his default mode, and I don’t want to deal with it anymore. Sack up, man! He tells his model that he made another dress, because he had an incident with a steamer and the paper in his first dress started to split. In an interview, Nicholas calls shenanigans, saying that there isn’t even a steamer in the sewing room that day. Shirin baldly says, “Johnny made up this lie.” With two hours to work before that day’s deadline and his second awful dress on the form, Johnny sits down and does a crossword puzzle. This has shades of Mitchell’s bouncing around the workroom, and we all know how that worked out for him. And Johnny doesn’t even have a competent designer doing all of his work for him!

At the apartment later, he tells the same story to Ra’Mon, whose reaction I can’t gauge. In another apartment, male and female designers are sitting around and laughing at the ridiculousness that is Johnny. Now we’re on the next day. Epperson says about Johnny, “He’s still here for a reason.” At first I worry that Epperson is going to go all Magical Negro on them, but then he pulls out the awesome with his explanation: ” Comic relief.”

The designers have two hours to get everything done and prepare for the runway show. Johnny, who was doing the freaking crossword the night before, now complains that he doesn’t have the time to carry out his vision. From one procrastinator to another, it must be said: “Johnny, you have nobody to blame but yourself.” Althea and Ra’Mon don’t think that Irina’s coat, which is shaped newsprint, fits in with the amount of work that everybody else has done, and they are totally obvious and bitchy about discussing it. First Epperson, now Althea? Everybody’s getting meaner. Gordana is in love with her dress, and I don’t blame her at all. Nicholas hopes that the judges tear Johnny apart for his dress, which Johnny call’s Nicholas’s design stupid. Meow, these two really do not like one another.

And now for the runway show! Joining Heidi as judges are Tommy Hilfiger, Zoe Glassner again, and Eva Longoria Parker. Whatever Eva. I want Jen Rade to come back. Logan’s dress is super cute. It’s Asian-inspired and I love the blue on white. Christopher’s dress moves well, but I’m not seeing the wow factor that he said he was going for. Ra’Mon’s two pieces are adorable. Epperson’s dress is very costume-y. Make it a 3x, and I could totally see Chris March in it. Johnny is explaining away his short, boring dress in his voice-over; this is not a good sign. Gordana’s dress looks great on the runway and you can’t even tell it’s paper. In my opinion, Carol Hannah’s gown is more of a showstopper than Christopher’s. The skirt of Shirin’s dress actually reminds me of the skirts on Leanne Marshall’s final collection. Different medium, I know, but it’s the first thing that came to mind. Of course, this means that this strapless dress is totally cute. Although she’s sort of evil, I have to say that I love Irina’s coat. Whoa, Althea’s dress is gorgeous! I’m not in love with Louise’s dress. The skirt popped up in the sort of peek-a-boo that no woman wants to see in her skirt.

Christopher, Nicholas, Johnny, Irina, Althea, and Gordana are asked to remain onstage. Carol Hannah, you were robbed! The judges are crazy about Althea’s dress. Gordana’s dress is so nice, but so obviously made to look not like paper, that the judges are a bit bored by it. Irina’s coat wins raves, although Tommy Hilfiger does not love the visible tape at the back or the length. And then it’s Johnny’s turn! Wait, let me get some popcorn.

Okay, I’m back. Heidi asks how much time he spent on the dress. He tells the steamer lie again, and says that he didn’t have a lot of time to work on this dress. He does not mention the crossword puzzle. Heidi tells him that the short dress, combined with the aggressive hair, makeup, and red heels, made his model look like a prosiitute.  The best part of this exchange my realization that this interpretation of his look absolutely never occurred to him before Heidi said it. Zoe Glassner inexplicably likes his design. For real, bring back Jen Rade. Johnny lies about the awesomeness of his previous garment, saying that it was like a Dior, and Nicholas shakes his head. Heidi asks why, and he describes the original dress as “a red mess.” Johnny says a sarcastic thanks, but really, why lie about something that everybody else saw? Earlier he admitted that the dress hadn’t been as awesome as he thought it was, so why would he bother to make up the Dior/steamer story in the first place? I don’t get it. Nicholas explains that it was the bird remark from Tim, not a steamer accident, that prompted Johnny to change designs. Johnny says that Nicholas threw him under the bus and calls him a jerk. Tension!

The judges then move onto asking Nicholas about his own work. He doesn’t fare much better than Johnny, when he explains his punk club kid inspiration. They’re not seeing it. Zoe says it looks like an insect. Suddenly Nicholas vs Johnny has become a million times more interesting. Christopher is the final designer in the top three. He explains his inspiration to the judges, and I guess they get him better than I do, because they love his dress. The designers leave the stage and the judges get down to discussing stuff.

The highlights: Christopher has taken a risk! Althea has shaped her dress beautifully! Irina’s coat is dramatic without being gimicky. Now for the bad. I understand that, in the interest of symmetry, there needs to be three people in the bottom, but I don’t for a second believe that Gordana is in any danger. Her only problem is that she has made a paper dress that too-convincingly mimics fabric. The judges agree with me on this, and move on from her pretty quickly. The judges don’t get Nicholas’s dress or its construction, and don’t see anything punk about it. With Johnny, the truthfulness of his story is called into question, and they talk about the underwhelming nature of his dress.

Predictions: Althea or Irina will win. I think that Johnny will be the one sent home.

We move onto the results. Yay! Irina won. A good villain can only stick around if he or she wins sometimes. I wonder if this will help with that jealousy problem. I love how she says that this victory is overdue. Also, assuming he makes it to next week, I trust this will stop Nicholas from putting her on his list of people who will be going home sooner rather than later. Althea and Gordana are dismissed from the stage. The final countdown music plays, and then Nicholas is told that he’s in. Later, Johnny! If you’d put more effort into this, I’d feel worse about you being sent home. The nugget of wisdom that he chooses to share with us? “There’s something bigger on the horizon for me.” Unless we’re talking about a looming relapse, I really doubt it.

Backstage, the lie that Johnny told on the runway forces Tim out of his usual zen state; he actually start talking about Johnny while the man is still cleaning his workspace. Cold! Designers of America, let that be a lesson: you do not mess with Tim Gunn!!! I really don’t get it. How did Johnny think that he’d get away with that kind of lie? This is a competition, not summer camp; no other designer was going to keep quiet about that kind of fiction at the expense of his or her own chances.

Hands down, this was the best episode of the season, and sure to please those who said there wasn’t enough drama or challenge happening.

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